Ancient Greece Blog

Winged Victory of Samothrace

Winged Victory of Samothrace. Photographer Cons Ph

The Winged Victory of Samothrace is among the greatest Hellenistic sculptures in the world. Without doubt, it is one of the most celebrated works of antiquity.

Winged Victory of samothrace

The statue was excavated in 1863 on Samothrace Island by Charles Champoiseau (head of the French Consulate in Andrinople, now Edirne in Turkey). Having left Samothrace at the beginning of May 1863, the statue arrived in Toulon at the end of August and later in Paris on May 11, 1864. There were fifteen other large blocks of grey marble where the statue was discovered, whose form and could not be understood by Charles Champoiseau. In fact, these gray blocks formed the prow of a ship. In the end, he decided to send the statue and the fragments to the Louvre Museum and leave the large grey marble blocks in place.

Winged Victory of Samothrace

Winged Victory of Samothrace. Photographer: Patrice Molinard, 1950.

Nike of Samothrace

Right hand of Nike of Samothrace. Remainings found in 1875 and 1950.

In 1875, the architect of the Austrian archaeological mission working on the Samothrace sanctuary examined the blocks by producing drawings of them. He concluded that they formed the prow of a ship, which formed the basis of the statue. In 1879, they were assembled together with the statue, at the Louvre Museum.

The museum also added a plaster wing to the sculpture—an addition to those remains today—but did not opt to recreate the head or arms. Later, during the excavation from 1950, Karl Lehman and his team of archaeologists found the right palm of the statue in the area where the initial discovery had been made. These parts were also sent to Louvre Museum. The arms and the head of this statue have never been found. It has been speculated she could have held a trumpet or a wreath to commemorate the victory.

O. Benndorf and K. von Zumbusch, Reconstruction of the Victory of Samothrace (1875-1880)

O. Benndorf and K. von Zumbusch, Reconstruction of the Victory of Samothrace (1875-1880)

Wing and metallic frame, detail from the winged victory of Samothrace.

The Winged Victory sculpture probably celebrates the victory of a naval battle in the 2nd century BC. The Greeks represented concepts such as Peace, Fortune, Vengeance, and Justice as goddesses at a very early date. The Victory was one of the earliest of these incarnations. The statue exemplifies the movement, gesture, and rich texturing of the finest Hellenistic sculpture.

In Greek mythology, the goddess of victory was shown as a winged figure who would fly down from Mount Olympus. The main characteristics of the goddess were wings and usually a sense of landing or alighting. Victory is shown in the form of a winged woman standing on the prow of a ship, braced against the strong wind blowing through her garments. As the wet and wind-blown drapery clings to her body, the winged figure triumphantly steps toward the front of a ship.

Greek coin that date between 301 and 292 BC give an idea as to what the Victory of Samothrace might have looked like and demonstrate why the marble blocks were in fact, an integral part of the statue.

Greek coin that date between 301 and 292 BC give an idea as to what the Victory of Samothrace might have looked like and demonstrate why the marble blocks were in fact, an integral part of the statue.

During the Hellenistic period, Alexander the Great’s successors were constantly fighting to take control over the Aegean Sea. The base of the statue thus reminds the warships typically used in this era.

Feautured Image Credit: Photographer Cons Ph via Wikimedia Commons.

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